Artist-researcher working from collective creation laboratories. He has primarily worked as a director and dramaturg, but has also worked as a curator and playwright. He has also developed an independent practice as a filmmaker and essayist.

He studied Dramatic Literature and Theatre at UNAM, specializing in directing. He also completed a research residency on laboratory processes in Latin America at the University of Buenos Aires, under the mentorship of Jorge Dubatti and Didanwy Kent. Out of that residency he wrote his undergraduate thesis, which earned an honorable mention at UNAM.

Most of his work as a director has been with the collective La Compañiasauria, which has worked under a collective creation methodology since its second project. There he has directed Litoral (theatre, 2016) by Wajdi Mouawad; Sobre cómo no ser un deseo estúpido (theatre, 2019), winner of FITU category C3 in 2020; Manifiestosaurio (video essay, 2020); Acción espectáculo en tres partes by Joan Brossa (performance, 2022); and Lo común (theatre, 2025). Their work has been presented at venues of the CCB INBAL, UNAM, CCEMX, El Chopo, and MUAC, and in 8 states of Mexico, and has received support from Fomento a Proyectos y Coinversiones Culturales (2021) and ENARTES (2022), among others.

From 2022 to 2026 he worked as Chief Dramaturg of the Compañía Nacional de Teatro, the first person to hold this position at the institution. There he collaborated on programming, accompanied artistic processes with directors and playwrights, and directed Radio Masewal (2025), a multilingual show based on contemporary poetry in Indigenous languages of Mexico.

As a researcher, he is a collaborator of LMDA (Literary Managers and Dramaturgs of the Americas) and has participated in conferences in Tijuana, San Diego, Mexico City, and Buenos Aires. He has published articles in the LMDA Journal, Yale University’s Theater Magazine, and UNAM publications.

He has also worked as a curator at the Foro: Sanar el tiempo (2021), organized by Teatro UNAM, and in the Apuntes cycle (2021-2023) of UNAM’s Cátedra Ingmar Bergman.